OpenGL: Zoom adaptive grid lines - c++

I'm trying to make a viewport grid like the ones seen in most 3D Modelers where zooming adjusts the grid spacing so lines don't get too dense or too far apart. For example zooming out changes the spacing from 1m to 2m then 5m then 10m and 20m etc. Any help?

Here it's usually not as complicated as you might think it would be initially. For example, you might notice that panning and orbiting the camera has no effect on that grid density, even though the nearest distance from grid plane to viewer could be changing. Likewise, changing FOV has no effect on the chosen grid unit size, even though ideally perhaps it should given how it can significantly skew and narrow the view.
So there's usually just this basic, 1-dimensional kind of notion of zoom distance relative to the look at target (camera pivot), and it involves no fancy math, just adjusting a scalar that affects values passed to glScale or glTranslate, e.g.
As it increases, so does the unit size used for drawing the grid (and possibly snapping to it), and here it's often not some brilliant, mathematical solution but just a linear mapping from that zoom distance to hard-coded unit sizes like 1mm, 2mm, 5mm, 10mm, 20mm, 50mm, 1cm, etc.
These kinds of things usually aren't the result of some algorithmic paper but just a developer/designer sitting down and tweaking things until they look/feel about right. If you're trying to develop a 3D software, I'd recommend never to overlook this basic solution for things related to user interaction because it's easy to become convinced in 3D that everything has to be complicated and have a lot of research and a perfectly-accurate mathematical solution behind it. For the UI parts, you can get away with far more informal solutions.
Sometimes the formal mathematical solutions for these UI visuals/interactions don't work quite as well in practice as these kludged solutions, as you might have noticed in the user interfaces coming from the more academic realm (which are usually much smarter mathematically and algorithmically for these things, but actually less intuitive).

Related

How flexible is OpenGL's quadric functionality and transformation matrices?

To give you an idea of where I'm coming from, this started as a teaching exercise to get a 12-year-old video game addict into coding. The 2D games, I did in SDL with him and that was fine because I wasn't planning on going into 3D. Yeah, right! So now I'm in at the deep end in OpenGL and mainly trying to figure out exactly what it can and cannot do. I understand the theory (still working on beziers and nurbs if the truth be told) and could code the whole thing by hand in calculated triangular vertices but I'd hate to spend days on that only to be told that there's a built in function/library that does the whole thing faster and easier.
Quadrics seem to be extremely powerful but not terribly flexible. Consider the human head - roughly speaking a 3x4x3 sphere or a torso as a truncated cone that's taller than it is wide than it is thick. Again, a quadric shape with independent x,y and z radii. Since only one radius is provided, am I right in thinking that I would have to generate it around the origin and then apply a scaling matrix to adjust them? Furthermore, if this is so, am I also correct in thinking that saving the results into a vertex array rather than a frame list results in the system neither knowing or caring how they got there?
Transitions: I'm familiar with the basic transitions but, again, consider the torso. It can achieve, maybe, a 45 degree twist from the hips to the shoulders that is distributed linearly across the entire length or even the sideways lean. This is applied around the Y or Z axis respectively but I've obviously missed something about applying transformations that are based on an independent value. (eg rot = dist x (max_rot/max_dist). Again, I could do this by hand (and will probably have to in order to apply the correct physics) but does OpenGL have this functionality built in somewhere?
Any other areas of research I need to put in would be appreciated in the notes.

Which deconvolution algorithm is best suited for removing motion blur from text?

I'm using OpenCV to process pictures taken with a mobile phone. The pictures contain text, and they have small amounts of motion blur, which I need to remove.
What would be the most viable algorithm to use? I have tested so far Lucy-Richardson and Weiner deconvolution, but they did not yield satisfactory results.
Agree with #TheJuice, your problem lies in the PSF estimation. Usually to be able to do this from a single frame, several assumptions need to be made about the factors leading to the blur (motion of object, type of motion of the sensor, etc.).
You can find some pointers, especially on the monodimensional case, here. They use a filtering method that leaves mostly correlation from the blur, discarding spatial correlation of original image, and use this to deduce motion direction and thence the PSF. For small blurs you might be able to consider the motion as constant; otherwise you will have to use a more complex accelerated motion model.
Unfortunately, mobile phone blur is often a compound of CCD integration and non-linear motion (translation perpendicular to line of sight, yaw from wrist motion, and rotation around the wrist), so Yitzhaky and Kopeika's method will probably only yield acceptable results in a minority of cases. I know there are methods to deal with that ("depth awareness" and other) but I have never had occasion of dealing with them.
You can preview the results using photo recovery software such as Focus Magic; while they do not employ YK estimator (motion description is left to you), the remaining workflow is necessarily very similar. If your pictures are amenable to Focus Magic recovery, then probably YK method will work. If they are not (or not enough, or not enough of them to be worthwhile), then there's no point even trying to implement it.
Motion blur is a difficult problem to overcome. The best results are gained when
The speed of the camera relative to the scene is known
You have many pictures of the blurred object which you can correlate.
You do have one major advantage in that you are looking at text (which normally constitutes high contrast features). If you only apply deconvolution to high contrast (I know that the theory is often to exclude high contrast) areas of your image you should get results which may enable you to better recognise characters. Also a combination of sharpening/blurring filters pre/post processing may help.
I remember being impressed with this paper previously. Perhaps an adaption on their implementation would be worth a go.
I think the estimation of your point-spread function is likely to be more important than the algorithm used. It depends on the kind of motion blur you're trying to remove, linear motion is likely to be the easiest but is unlikely to be the kind you're trying to remove: i imagine it's non-linear caused by hand movement during the exposure.
You cannot eliminate motion blur. The information is lost forever. What you are dealing with is a CCD that is recording multiple real objects to a single pixel, smearing them together. In other words if the pixel reads 56, you cannot magically determine that the actual reading should have been 37 at time 1, and 62 at time 2, and 43 at time 3.
Another way to look at this: imagine you have 5 pictures. You then use photoshop to blend the pictures together, averaging the value of each pixel. Can you now somehow from the blended picture tell what the original 5 pictures were? No, you cannot, because you do not have the information to do that.

Image Processing: Algorithm Improvement for 'Coca-Cola Can' Recognition

One of the most interesting projects I've worked on in the past couple of years was a project about image processing. The goal was to develop a system to be able to recognize Coca-Cola 'cans' (note that I'm stressing the word 'cans', you'll see why in a minute). You can see a sample below, with the can recognized in the green rectangle with scale and rotation.
Some constraints on the project:
The background could be very noisy.
The can could have any scale or rotation or even orientation (within reasonable limits).
The image could have some degree of fuzziness (contours might not be entirely straight).
There could be Coca-Cola bottles in the image, and the algorithm should only detect the can!
The brightness of the image could vary a lot (so you can't rely "too much" on color detection).
The can could be partly hidden on the sides or the middle and possibly partly hidden behind a bottle.
There could be no can at all in the image, in which case you had to find nothing and write a message saying so.
So you could end up with tricky things like this (which in this case had my algorithm totally fail):
I did this project a while ago, and had a lot of fun doing it, and I had a decent implementation. Here are some details about my implementation:
Language: Done in C++ using OpenCV library.
Pre-processing: For the image pre-processing, i.e. transforming the image into a more raw form to give to the algorithm, I used 2 methods:
Changing color domain from RGB to HSV and filtering based on "red" hue, saturation above a certain threshold to avoid orange-like colors, and filtering of low value to avoid dark tones. The end result was a binary black and white image, where all white pixels would represent the pixels that match this threshold. Obviously there is still a lot of crap in the image, but this reduces the number of dimensions you have to work with.
Noise filtering using median filtering (taking the median pixel value of all neighbors and replace the pixel by this value) to reduce noise.
Using Canny Edge Detection Filter to get the contours of all items after 2 precedent steps.
Algorithm: The algorithm itself I chose for this task was taken from this awesome book on feature extraction and called Generalized Hough Transform (pretty different from the regular Hough Transform). It basically says a few things:
You can describe an object in space without knowing its analytical equation (which is the case here).
It is resistant to image deformations such as scaling and rotation, as it will basically test your image for every combination of scale factor and rotation factor.
It uses a base model (a template) that the algorithm will "learn".
Each pixel remaining in the contour image will vote for another pixel which will supposedly be the center (in terms of gravity) of your object, based on what it learned from the model.
In the end, you end up with a heat map of the votes, for example here all the pixels of the contour of the can will vote for its gravitational center, so you'll have a lot of votes in the same pixel corresponding to the center, and will see a peak in the heat map as below:
Once you have that, a simple threshold-based heuristic can give you the location of the center pixel, from which you can derive the scale and rotation and then plot your little rectangle around it (final scale and rotation factor will obviously be relative to your original template). In theory at least...
Results: Now, while this approach worked in the basic cases, it was severely lacking in some areas:
It is extremely slow! I'm not stressing this enough. Almost a full day was needed to process the 30 test images, obviously because I had a very high scaling factor for rotation and translation, since some of the cans were very small.
It was completely lost when bottles were in the image, and for some reason almost always found the bottle instead of the can (perhaps because bottles were bigger, thus had more pixels, thus more votes)
Fuzzy images were also no good, since the votes ended up in pixel at random locations around the center, thus ending with a very noisy heat map.
In-variance in translation and rotation was achieved, but not in orientation, meaning that a can that was not directly facing the camera objective wasn't recognized.
Can you help me improve my specific algorithm, using exclusively OpenCV features, to resolve the four specific issues mentioned?
I hope some people will also learn something out of it as well, after all I think not only people who ask questions should learn. :)
An alternative approach would be to extract features (keypoints) using the scale-invariant feature transform (SIFT) or Speeded Up Robust Features (SURF).
You can find a nice OpenCV code example in Java, C++, and Python on this page: Features2D + Homography to find a known object
Both algorithms are invariant to scaling and rotation. Since they work with features, you can also handle occlusion (as long as enough keypoints are visible).
Image source: tutorial example
The processing takes a few hundred ms for SIFT, SURF is bit faster, but it not suitable for real-time applications. ORB uses FAST which is weaker regarding rotation invariance.
The original papers
SURF: Speeded Up Robust Features
Distinctive Image Features
from Scale-Invariant Keypoints
ORB: an efficient alternative to SIFT or SURF
To speed things up, I would take advantage of the fact that you are not asked to find an arbitrary image/object, but specifically one with the Coca-Cola logo. This is significant because this logo is very distinctive, and it should have a characteristic, scale-invariant signature in the frequency domain, particularly in the red channel of RGB. That is to say, the alternating pattern of red-to-white-to-red encountered by a horizontal scan line (trained on a horizontally aligned logo) will have a distinctive "rhythm" as it passes through the central axis of the logo. That rhythm will "speed up" or "slow down" at different scales and orientations, but will remain proportionally equivalent. You could identify/define a few dozen such scanlines, both horizontally and vertically through the logo and several more diagonally, in a starburst pattern. Call these the "signature scan lines."
Searching for this signature in the target image is a simple matter of scanning the image in horizontal strips. Look for a high-frequency in the red-channel (indicating moving from a red region to a white one), and once found, see if it is followed by one of the frequency rhythms identified in the training session. Once a match is found, you will instantly know the scan-line's orientation and location in the logo (if you keep track of those things during training), so identifying the boundaries of the logo from there is trivial.
I would be surprised if this weren't a linearly-efficient algorithm, or nearly so. It obviously doesn't address your can-bottle discrimination, but at least you'll have your logos.
(Update: for bottle recognition I would look for coke (the brown liquid) adjacent to the logo -- that is, inside the bottle. Or, in the case of an empty bottle, I would look for a cap which will always have the same basic shape, size, and distance from the logo and will typically be all white or red. Search for a solid color eliptical shape where a cap should be, relative to the logo. Not foolproof of course, but your goal here should be to find the easy ones fast.)
(It's been a few years since my image processing days, so I kept this suggestion high-level and conceptual. I think it might slightly approximate how a human eye might operate -- or at least how my brain does!)
Fun problem: when I glanced at your bottle image I thought it was a can too. But, as a human, what I did to tell the difference is that I then noticed it was also a bottle...
So, to tell cans and bottles apart, how about simply scanning for bottles first? If you find one, mask out the label before looking for cans.
Not too hard to implement if you're already doing cans. The real downside is it doubles your processing time. (But thinking ahead to real-world applications, you're going to end up wanting to do bottles anyway ;-)
Isn't it difficult even for humans to distinguish between a bottle and a can in the second image (provided the transparent region of the bottle is hidden)?
They are almost the same except for a very small region (that is, width at the top of the can is a little small while the wrapper of the bottle is the same width throughout, but a minor change right?)
The first thing that came to my mind was to check for the red top of bottle. But it is still a problem, if there is no top for the bottle, or if it is partially hidden (as mentioned above).
The second thing I thought was about the transparency of bottle. OpenCV has some works on finding transparent objects in an image. Check the below links.
OpenCV Meeting Notes Minutes 2012-03-19
OpenCV Meeting Notes Minutes 2012-02-28
Particularly look at this to see how accurately they detect glass:
OpenCV Meeting Notes Minutes 2012-04-24
See their implementation result:
They say it is the implementation of the paper "A Geodesic Active Contour Framework for Finding Glass" by K. McHenry and J. Ponce, CVPR 2006.
It might be helpful in your case a little bit, but problem arises again if the bottle is filled.
So I think here, you can search for the transparent body of the bottles first or for a red region connected to two transparent objects laterally which is obviously the bottle. (When working ideally, an image as follows.)
Now you can remove the yellow region, that is, the label of the bottle and run your algorithm to find the can.
Anyway, this solution also has different problems like in the other solutions.
It works only if your bottle is empty. In that case, you will have to search for the red region between the two black colors (if the Coca Cola liquid is black).
Another problem if transparent part is covered.
But anyway, if there are none of the above problems in the pictures, this seems be to a better way.
I really like Darren Cook's and stacker's answers to this problem. I was in the midst of throwing my thoughts into a comment on those, but I believe my approach is too answer-shaped to not leave here.
In short summary, you've identified an algorithm to determine that a Coca-Cola logo is present at a particular location in space. You're now trying to determine, for arbitrary orientations and arbitrary scaling factors, a heuristic suitable for distinguishing Coca-Cola cans from other objects, inclusive of: bottles, billboards, advertisements, and Coca-Cola paraphernalia all associated with this iconic logo. You didn't call out many of these additional cases in your problem statement, but I feel they're vital to the success of your algorithm.
The secret here is determining what visual features a can contains or, through the negative space, what features are present for other Coke products that are not present for cans. To that end, the current top answer sketches out a basic approach for selecting "can" if and only if "bottle" is not identified, either by the presence of a bottle cap, liquid, or other similar visual heuristics.
The problem is this breaks down. A bottle could, for example, be empty and lack the presence of a cap, leading to a false positive. Or, it could be a partial bottle with additional features mangled, leading again to false detection. Needless to say, this isn't elegant, nor is it effective for our purposes.
To this end, the most correct selection criteria for cans appear to be the following:
Is the shape of the object silhouette, as you sketched out in your question, correct? If so, +1.
If we assume the presence of natural or artificial light, do we detect a chrome outline to the bottle that signifies whether this is made of aluminum? If so, +1.
Do we determine that the specular properties of the object are correct, relative to our light sources (illustrative video link on light source detection)? If so, +1.
Can we determine any other properties about the object that identify it as a can, including, but not limited to, the topological image skew of the logo, the orientation of the object, the juxtaposition of the object (for example, on a planar surface like a table or in the context of other cans), and the presence of a pull tab? If so, for each, +1.
Your classification might then look like the following:
For each candidate match, if the presence of a Coca Cola logo was detected, draw a gray border.
For each match over +2, draw a red border.
This visually highlights to the user what was detected, emphasizing weak positives that may, correctly, be detected as mangled cans.
The detection of each property carries a very different time and space complexity, and for each approach, a quick pass through http://dsp.stackexchange.com is more than reasonable for determining the most correct and most efficient algorithm for your purposes. My intent here is, purely and simply, to emphasize that detecting if something is a can by invalidating a small portion of the candidate detection space isn't the most robust or effective solution to this problem, and ideally, you should take the appropriate actions accordingly.
And hey, congrats on the Hacker News posting! On the whole, this is a pretty terrific question worthy of the publicity it received. :)
Looking at shape
Take a gander at the shape of the red portion of the can/bottle. Notice how the can tapers off slightly at the very top whereas the bottle label is straight. You can distinguish between these two by comparing the width of the red portion across the length of it.
Looking at highlights
One way to distinguish between bottles and cans is the material. A bottle is made of plastic whereas a can is made of aluminum metal. In sufficiently well-lit situations, looking at the specularity would be one way of telling a bottle label from a can label.
As far as I can tell, that is how a human would tell the difference between the two types of labels. If the lighting conditions are poor, there is bound to be some uncertainty in distinguishing the two anyways. In that case, you would have to be able to detect the presence of the transparent/translucent bottle itself.
Please take a look at Zdenek Kalal's Predator tracker. It requires some training, but it can actively learn how the tracked object looks at different orientations and scales and does it in realtime!
The source code is available on his site. It's in MATLAB, but perhaps there is a Java implementation already done by a community member. I have succesfully re-implemented the tracker part of TLD in C#. If I remember correctly, TLD is using Ferns as the keypoint detector. I use either SURF or SIFT instead (already suggested by #stacker) to reacquire the object if it was lost by the tracker. The tracker's feedback makes it easy to build with time a dynamic list of sift/surf templates that with time enable reacquiring the object with very high precision.
If you're interested in my C# implementation of the tracker, feel free to ask.
If you are not limited to just a camera which wasn't in one of your constraints perhaps you can move to using a range sensor like the Xbox Kinect. With this you can perform depth and colour based matched segmentation of the image. This allows for faster separation of objects in the image. You can then use ICP matching or similar techniques to even match the shape of the can rather then just its outline or colour and given that it is cylindrical this may be a valid option for any orientation if you have a previous 3D scan of the target. These techniques are often quite quick especially when used for such a specific purpose which should solve your speed problem.
Also I could suggest, not necessarily for accuracy or speed but for fun you could use a trained neural network on your hue segmented image to identify the shape of the can. These are very fast and can often be up to 80/90% accurate. Training would be a little bit of a long process though as you would have to manually identify the can in each image.
I would detect red rectangles: RGB -> HSV, filter red -> binary image, close (dilate then erode, known as imclose in matlab)
Then look through rectangles from largest to smallest. Rectangles that have smaller rectangles in a known position/scale can both be removed (assuming bottle proportions are constant, the smaller rectangle would be a bottle cap).
This would leave you with red rectangles, then you'll need to somehow detect the logos to tell if they're a red rectangle or a coke can. Like OCR, but with a known logo?
This may be a very naive idea (or may not work at all), but the dimensions of all the coke cans are fixed. So may be if the same image contains both a can and a bottle then you can tell them apart by size considerations (bottles are going to be larger). Now because of missing depth (i.e. 3D mapping to 2D mapping) its possible that a bottle may appear shrunk and there isn't a size difference. You may recover some depth information using stereo-imaging and then recover the original size.
Hmm, I actually think I'm onto something (this is like the most interesting question ever - so it'd be a shame not to continue trying to find the "perfect" answer, even though an acceptable one has been found)...
Once you find the logo, your troubles are half done. Then you only have to figure out the differences between what's around the logo. Additionally, we want to do as little extra as possible. I think this is actually this easy part...
What is around the logo? For a can, we can see metal, which despite the effects of lighting, does not change whatsoever in its basic colour. As long as we know the angle of the label, we can tell what's directly above it, so we're looking at the difference between these:
Here, what's above and below the logo is completely dark, consistent in colour. Relatively easy in that respect.
Here, what's above and below is light, but still consistent in colour. It's all-silver, and all-silver metal actually seems pretty rare, as well as silver colours in general. Additionally, it's in a thin slither and close enough to the red that has already been identified so you could trace its shape for its entire length to calculate a percentage of what can be considered the metal ring of the can. Really, you only need a small fraction of that anywhere along the can to tell it is part of it, but you still need to find a balance that ensures it's not just an empty bottle with something metal behind it.
And finally, the tricky one. But not so tricky, once we're only going by what we can see directly above (and below) the red wrapper. Its transparent, which means it will show whatever is behind it. That's good, because things that are behind it aren't likely to be as consistent in colour as the silver circular metal of the can. There could be many different things behind it, which would tell us that it's an empty (or filled with clear liquid) bottle, or a consistent colour, which could either mean that it's filled with liquid or that the bottle is simply in front of a solid colour. We're working with what's closest to the top and bottom, and the chances of the right colours being in the right place are relatively slim. We know it's a bottle, because it hasn't got that key visual element of the can, which is relatively simplistic compared to what could be behind a bottle.
(that last one was the best I could find of an empty large coca cola bottle - interestingly the cap AND ring are yellow, indicating that the redness of the cap probably shouldn't be relied upon)
In the rare circumstance that a similar shade of silver is behind the bottle, even after the abstraction of the plastic, or the bottle is somehow filled with the same shade of silver liquid, we can fall back on what we can roughly estimate as being the shape of the silver - which as I mentioned, is circular and follows the shape of the can. But even though I lack any certain knowledge in image processing, that sounds slow. Better yet, why not deduce this by for once checking around the sides of the logo to ensure there is nothing of the same silver colour there? Ah, but what if there's the same shade of silver behind a can? Then, we do indeed have to pay more attention to shapes, looking at the top and bottom of the can again.
Depending on how flawless this all needs to be, it could be very slow, but I guess my basic concept is to check the easiest and closest things first. Go by colour differences around the already matched shape (which seems the most trivial part of this anyway) before going to the effort of working out the shape of the other elements. To list it, it goes:
Find the main attraction (red logo background, and possibly the logo itself for orientation, though in case the can is turned away, you need to concentrate on the red alone)
Verify the shape and orientation, yet again via the very distinctive redness
Check colours around the shape (since it's quick and painless)
Finally, if needed, verify the shape of those colours around the main attraction for the right roundness.
In the event you can't do this, it probably means the top and bottom of the can are covered, and the only possible things that a human could have used to reliably make a distinction between the can and the bottle is the occlusion and reflection of the can, which would be a much harder battle to process. However, to go even further, you could follow the angle of the can/bottle to check for more bottle-like traits, using the semi-transparent scanning techniques mentioned in the other answers.
Interesting additional nightmares might include a can conveniently sitting behind the bottle at such a distance that the metal of it just so happens to show above and below the label, which would still fail as long as you're scanning along the entire length of the red label - which is actually more of a problem because you're not detecting a can where you could have, as opposed to considering that you're actually detecting a bottle, including the can by accident. The glass is half empty, in that case!
As a disclaimer, I have no experience in nor have ever thought about image processing outside of this question, but it is so interesting that it got me thinking pretty deeply about it, and after reading all the other answers, I consider this to possibly be the easiest and most efficient way to get it done. Personally, I'm just glad I don't actually have to think about programming this!
EDIT
Additionally, look at this drawing I did in MS Paint... It's absolutely awful and quite incomplete, but based on the shape and colours alone, you can guess what it's probably going to be. In essence, these are the only things that one needs to bother scanning for. When you look at that very distinctive shape and combination of colours so close, what else could it possibly be? The bit I didn't paint, the white background, should be considered "anything inconsistent". If it had a transparent background, it could go over almost any other image and you could still see it.
Am a few years late in answering this question. With the state of the art pushed to its limits by CNNs in the last 5 years I wouldn't use OpenCV to do this task now! (I know you specifically wanted OpenCv features in the question) I feel object detection algorithms such as Faster-RCNNs, YOLO, SSD etc would ace this problem with a significant margin compared to OpenCV features. If I were to tackle this problem now (after 6 years !!) I would definitely use Faster-RCNN.
I'm not aware of OpenCV but looking at the problem logically I think you could differentiate between bottle and can by changing the image which you are looking for i.e. Coca Cola. You should incorporate till top portion of can as in case of can there is silver lining at top of coca cola and in case of bottle there will be no such silver lining.
But obviously this algorithm will fail in cases where top of can is hidden, but in such case even human will not be able to differentiate between the two (if only coca cola portion of bottle/can is visible)
I like the challenge and wanted to give an answer, which solves the issue, I think.
Extract features (keypoints, descriptors such as SIFT, SURF) of the logo
Match the points with a model image of the logo (using Matcher such as Brute Force )
Estimate the coordinates of the rigid body (PnP problem - SolvePnP)
Estimate the cap position according to the rigid body
Do back-projection and calculate the image pixel position (ROI) of the cap of the bottle (I assume you have the intrinsic parameters of the camera)
Check with a method whether the cap is there or not. If there, then this is the bottle
Detection of the cap is another issue. It can be either complicated or simple. If I were you, I would simply check the color histogram in the ROI for a simple decision.
Please, give the feedback if I am wrong. Thanks.
I like your question, regardless of whether it's off topic or not :P
An interesting aside; I've just completed a subject in my degree where we covered robotics and computer vision. Our project for the semester was incredibly similar to the one you describe.
We had to develop a robot that used an Xbox Kinect to detect coke bottles and cans on any orientation in a variety of lighting and environmental conditions. Our solution involved using a band pass filter on the Hue channel in combination with the hough circle transform. We were able to constrain the environment a bit (we could chose where and how to position the robot and Kinect sensor), otherwise we were going to use the SIFT or SURF transforms.
You can read about our approach on my blog post on the topic :)
Deep Learning
Gather at least a few hundred images containing cola cans, annotate the bounding box around them as positive classes, include cola bottles and other cola products label them negative classes as well as random objects.
Unless you collect a very large dataset, perform the trick of using deep learning features for small dataset. Ideally using a combination of Support Vector Machines(SVM) with deep neural nets.
Once you feed the images to a previously trained deep learning model(e.g. GoogleNet), instead of using neural network's decision (final) layer to do classifications, use previous layer(s)' data as features to train your classifier.
OpenCV and Google Net:
http://docs.opencv.org/trunk/d5/de7/tutorial_dnn_googlenet.html
OpenCV and SVM:
http://docs.opencv.org/2.4/doc/tutorials/ml/introduction_to_svm/introduction_to_svm.html
There are a bunch of color descriptors used to recognise objects, the paper below compares a lot of them. They are specially powerful when combined with SIFT or SURF. SURF or SIFT alone are not very useful in a coca cola can image because they don't recognise a lot of interest points, you need the color information to help. I use BIC (Border/Interior Pixel Classification) with SURF in a project and it worked great to recognise objects.
Color descriptors for Web image retrieval: a comparative study
You need a program that learns and improves classification accuracy organically from experience.
I'll suggest deep learning, with deep learning this becomes a trivial problem.
You can retrain the inception v3 model on Tensorflow:
How to Retrain Inception's Final Layer for New Categories.
In this case, you will be training a convolutional neural network to classify an object as either a coca-cola can or not.
As alternative to all these nice solutions, you can train your own classifier and make your application robust to errors. As example, you can use Haar Training, providing a good number of positive and negative images of your target.
It can be useful to extract only cans and can be combined with the detection of transparent objects.
There is a computer vision package called HALCON from MVTec whose demos could give you good algorithm ideas. There is plenty of examples similar to your problem that you could run in demo mode and then look at the operators in the code and see how to implement them from existing OpenCV operators.
I have used this package to quickly prototype complex algorithms for problems like this and then find how to implement them using existing OpenCV features. In particular for your case you could try to implement in OpenCV the functionality embedded in the operator find_scaled_shape_model. Some operators point to the scientific paper regarding algorithm implementation which can help to find out how to do something similar in OpenCV.
Maybe too many years late, but nevertheless a theory to try.
The ratio of bounding rectangle of red logo region to the overall dimension of the bottle/can is different. In the case of Can, should be 1:1, whereas will be different in that of bottle (with or without cap).
This should make it easy to distinguish between the two.
Update:
The horizontal curvature of the logo region will be different between the Can and Bottle due their respective size difference. This could be specifically useful if your robot needs to pick up can/bottle, and you decide the grip accordingly.
If you are interested in it being realtime, then what you need is to add in a pre-processing filter to determine what gets scanned with the heavy-duty stuff. A good fast, very real time, pre-processing filter that will allow you to scan things that are more likely to be a coca-cola can than not before moving onto more iffy things is something like this: search the image for the biggest patches of color that are a certain tolerance away from the sqrt(pow(red,2) + pow(blue,2) + pow(green,2)) of your coca-cola can. Start with a very strict color tolerance, and work your way down to more lenient color tolerances. Then, when your robot runs out of an allotted time to process the current frame, it uses the currently found bottles for your purposes. Please note that you will have to tweak the RGB colors in the sqrt(pow(red,2) + pow(blue,2) + pow(green,2)) to get them just right.
Also, this is gona seem really dumb, but did you make sure to turn on -oFast compiler optimizations when you compiled your C code?
The first things I would look for are color - like RED , when doing Red eye detection in an image - there is a certain color range to detect , some characteristics about it considering the surrounding area and such as distance apart from the other eye if it is indeed visible in the image.
1: First characteristic is color and Red is very dominant. After detecting the Coca Cola Red there are several items of interest
1A: How big is this red area (is it of sufficient quantity to make a determination of a true can or not - 10 pixels is probably not enough),
1B: Does it contain the color of the Label - "Coca-Cola" or wave.
1B1: Is there enough to consider a high probability that it is a label.
Item 1 is kind of a short cut - pre-process if that doe snot exist in the image - move on.
So if that is the case I can then utilize that segment of my image and start looking more zoom out of the area in question a little bit - basically look at the surrounding region / edges...
2: Given the above image area ID'd in 1 - verify the surrounding points [edges] of the item in question.
A: Is there what appears to be a can top or bottom - silver?
B: A bottle might appear transparent , but so might a glass table - so is there a glass table/shelf or a transparent area - if so there are multiple possible out comes. A Bottle MIGHT have a red cap, it might not, but it should have either the shape of the bottle top / thread screws, or a cap.
C: Even if this fails A and B it still can be a can - partial..
This is more complex when it is partial because a partial bottle / partial can might look the same , so some more processing of measurement of the Red region edge to edge.. small bottle might be similar in size ..
3: After the above analysis that is when I would look at the lettering and the wave logo - because I can orient my search for some of the letters in the words As you might not have all of the text due to not having all of the can, the wave would align at certain points to the text (distance wise) so I could search for that probability and know which letters should exist at that point of the wave at distance x.

OpenGL- Simple 2D clipping/occlusion method?

I'm working on a relatively small 2D (top-view) game demo, using OpenGL for my graphics. It's going for a basic stealth-based angle, and as such with all my enemies I'm drawing a sight arc so the player knows where they are looking.
One of my problems so far is that when I draw this sight arc (as a filled polygon) it naturally shows through any walls on the screen since there's nothing stopping it:
http://tinyurl.com/43y4o5z
I'm curious how I might best be able to prevent something like this. I do already have code in place that will let me detect line-intersections with walls and so on (for the enemy sight detection), and I could theoretically use this to detect such a case and draw the polygon accordingly, but this would likely be quite fiddly and/or inefficient, so I figure if there's any built-in OpenGL systems that can do this for me it would probably do it much better.
I've tried looking for questions on topics like clipping/occlusion but I'm not even sure if these are exactly what I should be looking for; my OpenGL skills are limited. It seems that anything using, say, glClipPlanes or glScissor wouldn't be suited to this due to the large amount of individual walls and so on.
Lastly, this is just a demo I'm making in my spare time, so graphics aren't exactly my main worry. If there's a (reasonably) painless way to do this then I'd hope someone can point me in the right direction; if there's no simple way then I can just leave the problem for now or find other workarounds.
This is essentially a shadowing problem. Here's how I'd go about it:
For each point around the edge of your arc, trace a (2D) ray from the enemy towards the point, looking for intersections with the green boxes. If the green boxes are always going to be axis-aligned, the math will be a lot easier (look for Ray-AABB intersection). Rendering the intersection points as a triangle fan will give you your arc.
As you mention that you already have the line-wall intersection code going, then as long as that will tell you the distance from the enemy to the wall, then you'll be able to use it for the sight arc. Don't automatically assume it'll be too slow - we're not running on 486s any more. You can always reduce the number of points around the edge of your arc to speed things up.
OpenGL's built-in occlusion handling is designed for 3D tasks and I can't think of a simple way to rig it to achieve the effect you are after. If it were me, the way I would solve this is to use a fragment shader program, but be forewarned that this definitely does not fall under "a (reasonably) painless way to do this". Briefly, you first render a binary "occlusion map" which is black where there are walls and white otherwise. Then you render the "viewing arc" like you are currently doing with a fragment program that is designed to search from the viewer towards the target location, searching for an occluder (black pixel). If it finds an occluder, then it renders that pixel of the "viewing arc" as 100% transparent. Overall though, while this is a "correct" solution I would definitely say that this is a complex feature and you seem okay without implementing it.
I figure if there's any built-in OpenGL systems that can do this for me it would probably do it much better.
OpenGL is a drawing API, not a geometry processing library.
Actually your intersection test method is the right way to do it. However to speed it up you should use a spatial subdivision structure. In your case you have something that's cries for a Binary Space Partitioning tree. BSP trees have the nice property, that the complexity for finding intersections of a line with walls is in average about O(log n) and worst case is O(n log n), or in other words, BSP tress are very efficient. See the BSP FAQ for details http://www.opengl.org//resources/code/samples/bspfaq/index.html

How do I render thick 2D lines as polygons?

I have a path made up of a list of 2D points. I want to turn these into a strip of triangles in order to render a textured line with a specified thickness (and other such things). So essentially the list of 2D points need to become a list of vertices specifying the outline of a polygon that if rendered would render the line. The problem is handling the corner joins, miters, caps etc. The resulting polygon needs to be "perfect" in the sense of no overdraw, clean joins, etc. so that it could feasibly be extruded or otherwise toyed with.
Are there any simple resources around that can provide algorithm insight, code or any more information on doing this efficiently?
I absolutely DO NOT want a full fledged 2D vector library (cairo, antigrain, OpenVG, etc.) with curves, arcs, dashes and all the bells and whistles. I've been digging in multiple source trees for OpenVG implementations and other things to find some insight, but it's all terribly convoluted.
I'm definitely willing to code it myself, but there are many degenerate cases (small segments + thick widths + sharp corners) that create all kinds of join issues. Even a little help would save me hours of trying to deal with them all.
EDIT: Here's an example of one of those degenerate cases that causes ugliness if you were simply to go from vertex to vertex. Red is the original path. The orange blocks are rectangles drawn at a specified width aligned and centered on each segment.
Oh well - I've tried to solve that problem myself. I wasted two month on a solution that tried to solve the zero overdraw problem. As you've already found out you can't deal with all degenerated cases and have zero overdraw at the same time.
You can however use a hybrid approach:
Write yourself a routine that checks if the joins can be constructed from simple geometry without problems. To do so you have to check the join-angle, the width of the line and the length of the joined line-segments (line-segments that are shorter than their width are a PITA). With some heuristics you should be able to sort out all the trivial cases.
I don't know how your average line-data looks like, but in my case more than 90% of the wide lines had no degenerated cases.
For all other lines:
You've most probably already found out that if you tolerate overdraw, generating the geometry is a lot easier. Do so, and let a polygon CSG algorithm and a tesselation algorithm do the hard job.
I've evaluated most of the available tesselation packages, and I ended up with the GLU tesselator. It was fast, robust, never crashed (unlike most other algorithms). It was free and the license allowed me to include it in a commercial program. The quality and speed of the tesselation is okay. You will not get delaunay triangulation quality, but since you just need the triangles for rendering that's not a problem.
Since I disliked the tesselator API I lifted the tesselation code from the free SGI OpenGL reference implementation, rewrote the entire front-end and added memory pools to get the number of allocations down. It took two days to do this, but it was well worth it (like factor five performance improvement). The solution ended up in a commercial OpenVG implementation btw :-)
If you're rendering with OpenGL on a PC, you may want to move the tesselation/CSG-job from the CPU to the GPU and use stencil-buffer or z-buffer tricks to remove the overdraw. That's a lot easier and may be even faster than CPU tesselation.
I just found this amazing work:
http://www.codeproject.com/Articles/226569/Drawing-polylines-by-tessellation
It seems to do exactly what you want, and its licence allows to use it even in commercial applications. Plus, the author did a truly great job to detail his method. I'll probably give it a shot at some point to replace my own not-nearly-as-perfect implementation.
A simple method off the top of my head.
Bisect the angle of each 2d Vertex, this will create a nice miter line. Then move along that line, both inward and outward, the amount of your "thickness" (or thickness divided by two?), you now have your inner and outer polygon points. Move to the next point, repeat the same process, building your new polygon points along the way. Then apply a triangualtion to get your render-ready vertexes.
I ended up having to get my hands dirty and write a small ribbonizer to solve a similar problem.
For me the issue was that I wanted fat lines in OpenGL that did not have the kinds of artifacts that I was seeing with OpenGL on the iPhone. After looking at various solutions; bezier curves and the like - I decided it was probably easiest to just make my own. There are a couple of different approaches.
One approach is to find the angle of intersection between two segments and then move along that intersection line a certain distance away from the surface and treat that as a ribbon vertex. I tried that and it did not look intuitive; the ribbon width would vary.
Another approach is to actually compute a normal to the surface of the line segments and use that to compute the ideal ribbon edge for that segment and to do actual intersection tests between ribbon segments. This worked well except that for sharp corners the ribbon line segment intersections were too far away ( if the inter-segment angle approached 180' ).
I worked around the sharp angle issue with two approaches. The Paul Bourke line intersection algorithm ( which I used in an unoptimized way ) suggested detecting if the intersection was inside of the segments. Since both segments are identical I only needed to test one of the segments for intersection. I could then arbitrate how to resolve this; either by fudging a best point between the two ends or by putting on an end cap - both approaches look good - the end cap approach may throw off the polygon front/back facing ordering for opengl.
See http://paulbourke.net/geometry/lineline2d/
See my source code here : https://gist.github.com/1474156
I'm interested in this too, since I want to perfect my mapping application's (Kosmos) drawing of roads. One workaround I used is to draw the polyline twice, once with a thicker line and once with a thinner, with a different color. But this is not really a polygon, it's just a quick way of simulating one. See some samples here: http://wiki.openstreetmap.org/wiki/Kosmos_Rendering_Help#Rendering_Options
I'm not sure if this is what you need.
I think I'd reach for a tessellation algorithm. It's true that in most case where these are used the aim is to reduce the number of vertexes to optimise rendering, but in your case you could parameterise to retain all the detail - and the possibility of optimising may come in useful.
There are numerous tessellation algorithms and code around on the web - I wrapped up a pure C on in a DLL a few years back for use with a Delphi landscape renderer, and they are not an uncommon subject for advanced graphics coding tutorials and the like.
See if Delaunay triangulation can help.
In my case I could afford to overdraw. I just drow circles with radius = width/2 centered on each of the polyline's vertices.
Artifacts are masked this way, and it is very easy to implement, if you can live with "rounded" corners and some overdrawing.
From your image it looks like that you are drawing box around line segments with FILL on and using orange color. Doing so is going to create bad overdraws for sure. So first thing to do would be not render black border and fill color can be opaque.
Why can't you use GL_LINES primitive to do what you intent to do? You can specify width, filtering, smoothness, texture anything. You can render all vertices using glDrawArrays(). I know this is not something you have in mind but as you are focusing on 2D drawing, this might be easier approach. (search for Textured lines etc.)